Now as the twenty-first century begins, the ambiguous legacy of confessional poetry persists in its influence over many American poets and it inspires ambivalent responses from critics, readers, and sometimes the poets themselves. Indeed, this focus on the self has often been consciously proposed and promoted by the poets themselves. However, even when American poets have not purposely placed themselves in the forefront of their poems, many readers have repeatedly sought to identify the personae and performances reported in the poetry with the biographical details belonging to the lives of the poets behind the lines. In his essay establishing the term "confessional" for this new movement of mid-twentieth century poets, Rosenthal recognized a further willingness by American poets to open their own personal faults and frailties, their most private histories and intimate experiences, for close examination by the readers of their poetry.
In treating of poetry, I shall speak first of the subject-matter of it, next of the forms of expression to which it gives birth, and afterwards of its connexion with harmony of sound.
Poetry is the language of the imagination and the passions. It relates to whatever gives immediate pleasure or pain to the human mind.
It comes home to the bosoms and businesses of men; for nothing Poetry its universal appeal and merits essay what so comes home to them in the most general and intelligible shape, can be a subject for poetry.
Poetry is the universal language which the heart holds with nature and itself. He who has a contempt for poetry, cannot have much respect for himself, or for anything else. It is not a mere frivolous accomplishment as some persons have been led to imaginethe trifling amusement of a few idle readers or leisure hours -- it has been the study and delight of mankind in all ages.
Many people suppose that poetry is something to be found only in books, contained in lines of ten syllables, with like endings: If history is a grave study, poetry may be said to be a graver: History treats, for the most part, of the cumbrous and unwieldy masses of things, the empty cases in which the affairs of the world are packed, under the heads of intrigue or war, in different states, and from century to century: It is not a branch of authorship: Fear is poetry, hope is poetry, love is poetry, hatred is poetry; contempt, jealousy, remorse, admiration, wonder, pity, despair, or madness, are all poetry.
Poetry is that fine particle within us, that expands, rarefies, refines, raises our whole being: Man is a poetical animal: If his art is folly and madness, it is folly and madness at second hand. There is warrant for it. The lunatic, the lover, and the poet And of imagination all compact.
One sees more devils than vast hell can hold; The madman. Such tricks hath strong imagination.
If poetry is a dream, the business of life is much the same. If it is a fiction, made up of what we wish things to be, and fancy that they are, because we wish them so, there is no other nor better reality.
Ariosto had described the loves of Angelica and Medoro: Homer has celebrated the anger of Achilles: Plato banished the poets from his Commonwealth, lest their descriptions of the natural man should spoil his mathematical man, who was to be without passions and affections, who was neither to laugh nor weep, to feel sorrow nor anger, to be cast down nor elated by anything.
Neither a mere description of natural objects, nor a mere delineation of natural feelings, however distinct or forcible, constitutes the ultimate end and aim of poetry, without the heightenings of the imagination. The light of poetry is not only a direct but also a reflected light, that while it shows us the object, throws a sparkling radiance on all around it: Poetry represents forms chiefly as they suggest other forms; feelings, as they suggest forms or other feelings.
Poetry puts a spirit of life and motion into the universe. It describes the flowing, not the fixed.
It does not define the limits of sense, or analyse the distinctions of the understanding, but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling. The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot be contained within itself; that is impatient of all limit; that as flame bends to flame strives to link itself to some other image of kindred beauty or grandeur; to enshrine itself, as it were, in the highest forms of fancy, and to relieve the aching sense of pleasure by expressing it in the boldest manner, and by the most striking examples of the same quality in other instances.
This language is not the less true to nature, because it is false in point of fact; but so much the more true and natural, if it conveys the impression which the object under the influence of passion makes on the mind.
Let an object, for instance, be presented to the senses in a state of agitation or fear -- and the imagination will distort or magnify the object, and convert it into the likeness of whatever is most proper to encourage the fear. This is the universal law of imagination, That if it would but apprehend some joy, It comprehends some bringer of that joy: The lover, equally with the poet, speaks of the auburn tresses of his mistress as locks of shining gold, because the least tinge of yellow in the hair has, from novelty and a sense of personal beauty, a more lustrous effect to the imagination than the purest gold.
We compare a man of gigantic stature to a tower: The intensity of the feeling makes up for the disproportion of the objects. Things are equal to the imagination, which have the power of affecting the mind with an equal degree of terror, admiration, delight, or love.
Poetry is the high-wrought enthusiasm of fancy and feeling. As in describing natural objects, it impregnates sensible impressions with the forms of fancy, so it describes the feelings of pleasure or pain, by blending them with the strongest movements of passion, and the most striking forms of nature.English Literature – Poetry, Drama, Novels, Essays and Literature Review A Novel With Universal Appeal, Depth and Brilliance it’s a great piece of work one should really appreciate for its merit.
Rakesh Patel is an aspiring poet, freelance writer, self-published author and teacher. English Literature – Poetry, Drama, Novels, Essays and Literature Review A Novel With Universal Appeal, Depth and Brilliance it’s a great piece of work one should really appreciate for its merit.
Rakesh Patel is an aspiring poet, freelance writer, self-published author and teacher. The Descent of Inanna Essay Sample. Question: Inanna makes preparations for her descent. Although this story has numerous versions and variations, it maintained its universal appeal because of its theme of self-redemption.
War Poetry Advantages Sociology .
The idea behind literary merit is that specific works of literature have stood the test of time and the message(s) that the author imparts have timelessness and a relevance that goes without question over time.
It entertains the reader and is interesting to read. Is universal in its appeal (i.e 3/5(1). I appeal to what has already been established to distinguish between the cause and the effect.
in other words, the presence or absence of poetry in its most perfect and universal form has been found to be connected with good and evil in conduct or habit.
The first part of these remarks has related to poetry in its elements and. Toni Morrison’s Beloved – A Novel With Universal Appeal, Depth and Brilliance By Rakesh Ramubhai Patel. Toni Morrison (), an American writer, enjoys a good position as one of the most popular as well as successful black female writers.